Saturday, August 30, 2014
Sequel 2: The Sequel: A Prequel
I saw a headline of an article that upset me. It read: "'Frozen' Producers Crush your Dreams, Says Sequel not a Priority."
What upset me was not the fact that a sequel to the popular Disney movie was not a top priority, what bothered me was that I realized that movies are now made in order to make sequels, and we're supposed to expect them from every movie from now on.
Hollywood, like almost everything in America, is a business; and in a business, you are foolish to stop producing a commodity if it sells. Why the hell would anyone do that? Big-shot producers these days are less interested in what's "good," and are more interested in what makes them rich. Okay, maybe they were always interested in what makes them rich, but the quality of a film has become the lowest priority when it comes to making movies today. They hire models, youtube stars, singers, and Kardashians because they sell, and then slap a familiar brand name on the marquee because instead of making something new, they'll stick with something safe.
"Screw talent," they say, "she's got big boobs! Let's find a place for her in the sequel and we'll call it Sophie's Choice 2: Silicone or Gel."
Businesses are also no stranger to outsourcing: delegating work to an outside supplier as opposed to completing it internally. Yep, Hollywood outsources too.
How, you ask? By going to Barnes and Noble, seeing a cover for a young adult novel about a dystopian future, and making it into a movie. "Phew!" they say, "we can make money without even thinking of something original! Let's celebrate with more cocaine!"
That is not to say, however, that all adaptations are bad. I mildly enjoyed the first two Hunger Games movies and will probably see the last installments, and let's not forget that The Godfather was also an adaptation. But when 8/10 of the highest grossing films of this year were either sequels or adaptations, one might begin to ask, "Where's the originality?"
Songwriters, artists, photographers, and dancers create pieces of art as a way of expressing themselves. When they make something popular, they don't simply remake the song or dance, they find something else to express and they produce something new. Films, at least for me, are for art and enjoyment. I'm not claiming to be a movie snob by any means, I love the Super Mario Brothers movie and I'll fight anyone who bashes it! But I also love movies that are the result of a filmmaker's literal blood, sweat, and tears. An expression of true art. It's difficult to have your cake and eat it too in this business, I get that, but what used to make movies so great was that they transported you to another place and time; nowadays I'll see a poster for an upcoming movie and say, "Meh, I've already been there."
I wait on the edge of my seat for the day when Hollywood truly crushes my dreams and creates a sequel or prequel to a movie that holds a tight grip around my heart. I've heard rumors about a Back to the Future reboot, I've even heard that a remake to The Wizard of Oz might happen as well.
Where do we draw the line? When can we get it through our heads that art and business are not the same thing? The day that a producer looks at a script and says, "Yeah, it might sell, but I don't think Indiana Jones 4 is such a good idea," will be the day that I regain my respect for Hollywood.
...wait. What? They already made Indiana Jones 4?
Dammit.
Monday, February 17, 2014
The Oscars: Who Will Win? Who Should Win?
It’s that time again! The Academy Awards are right around
the corner (March 2nd), and for any movie buff, aspiring actor,
fashion maven, or for anyone who has nothing to do and wants to kill 3+ hours,
the Oscars are always an exciting time.
Below you’ll find my picks for this year’s ceremony. I’ll
break it down into who will win and
who should win.
Now, I don’t necessarily claim to be an Academy Award
expert, but hopefully, with this post, I can help some of you win some Oscar
Ballot Competitions!
BEST PICTURE
Will Win: 12
Years a Slave
Should Win: 12
Years a Slave
This one was kind of a tough choice for me. As a filmgoer,
it wasn’t my favorite movie of the year, not by a long shot. However, you look
at what the subject matter is, the fact that it’s a period piece, and the true
story element that screams “Oscar bait.” 12
Years a Slave reminded me a lot like Schindler’s
List: a movie that is important to see, but you don’t really feel good about
it. The overwhelming lump in your stomach takes you all the way through the
movie and long after you get home.
BEST DIRECTOR
Will Win: Alfonso
Cuarón
Who Should Win:
Alfonso Cuarón
This will be a split year. We saw
this split throughout the award season, and it will continue to the Academy
Awards on March 2nd. Gravity
is a director’s film. I say that because, as a story, the film isn’t anything
really new: a disaster happens in outer space. This is a very common plotline.
Although Sandra Bullock delivered (and carried) a tremendous physical and
emotional performance, Gravity was Cuarón’s opus. Visually and technically, this film, I think, is
a masterpiece. Obviously, it has potential to take the award for Best Picture
too, but the Director award will and should go to Cuarón.
BEST ACTOR
Will Win: Bruce Dern
Should Win: Leonardo
DiCaprio
This one was the toughest choice
for me. Most years, there is always a clear favorite for Best Actor (Daniel
Day-Lewis rings a bell), but this is the one category where I think it could
literally go to anyone. But, for the sake of this post, I’m going to make some
choices. I love Leo, I think he’s always been an actor that brings it with each
and every performance, and although he’s been seemingly shout out of the Oscars
year after year, his performance in The
Wolf of Wall Street should be the one to finally give him the statue. Take
a look at the scene involving an overdose of Quaaludes and you’ll agree with
me. As far as who will win, I think this could be a situation where the Academy
will go with a veteran. The entire category is stacked with unbelievable
actors, most of them a certain age, except for Dern. I think it will go to him.
BEST ACTRESS
Will Win: Cate
Blanchett
Should Win: Cate Blanchett
The Oscar was practically given to
Blanchett the moment Blue Jasmine
premiered. That’s all I’m gonna say
BEST SCREENPLAY (Adapted)
Will Win: 12 Years a
Slave
Should Win: 12 Years a
Slave
BEST SCREENPLAY (Original)
Will Win: American
Hustle
Should Win: Her
American Hustle wasn’t
as good as everyone thinks it is. There, I said it. But it’ll win because
everyone loves David O. Russell. Her
was original.
BEST SUPPORTING ACTOR
Will Win: Jared Leto
Should Win: Jared Leto
I honestly don’t know who else is
nominated. It’s been all about Leto this season.
BEST SUPPORTING ACTRESS
Will Win: Jennifer
Lawrence
Should Win: Lupita Nyong'o
I am both immensely jealous and
respectful of Jennifer Lawrence, but her performance in American Hustle was not nearly as strong as her performance in Silver Linings Playbook. She’s good, don’t
get me wrong, but an Oscar? Especially against Lupita Nyong’o’s heartbreaking
performance in 12 Years a Slave? No
way. Lawrence is likable, and more importantly to the film industry, bankable.
It’ll go to her.
Obviously, there are more awards
to be given out that night, but these are the main ones that I feel the most
knowledge of. We’ll see what happens!
Friday, February 14, 2014
Winter's Tale Review
I’m not sure what was less romantic: Winter’s Tale or the fact that I saw this film with my mother in
the middle of the day on Valentine’s Day. After seeing the movie, I can safely
say that I went home with my mom, and no desire to see Winter’s Tale a second time. You be the judge.
This film, written and directed by Akiva Goldsman (adapted
from the novel by Mark Helprin), simply doesn’t know what it wanted to be.
Looking back on it, I should have seen it as a warning sign that whenever I saw
previews for the film I thought to myself, “What is this movie actually about?
What’s the story?” Well, the answer won’t be found by watching it. Goldsman
gives us a world of love, magic, angels, demons, magic, beauty, hope, and magic
(did I say magic? Oh, there’s a bunch of magic in this movie…). There’s so much
going on, and so many scenes of poorly crafted expositional dialogue that the
actual story is simply lost.
Beverly Penn (played by Jessica Brown Findlay) is a sweet,
young, optimistic girl who suffers from consumption in this film. The fevers
she undergoes give her visions of beauty, leading her to believe that we are
all connected by stunning rays of light, and our souls become stars in the sky
after we have completed our life’s mission. She then meets the rugged, dashing
thief Peter Lake (played by the ever-charming Colin Farrell) and they, of
course, fall in love. This set up is definitely sweeping romance, Valentine’s
Day movie material, but the pay off really falls flat. Aside from the fact that
these two do, indeed fall in love (spoiler alert?), the romance in this film is
not nearly as sweeping as the film thinks it is.
The problem is lack of structure and cohesion.
Writer/director Goldsman throws in Russell Crowe’s devilishly grinning Pearly
Soames to add some sort of conflict. Pearly has a personal vendetta against
Peter Lake that is never really explained; along with a set of rules that
dictates certain plot points just for convenience.
There were moments in this film that were laughable, and let
me remind you that this is not a comedy. Of course Peter Lake is rescued by a
white horse when chased by Pearly and his goons, and there is a cameo in this
film that I will not spoil, but I could not help myself from chuckling quite a
bit.
I came into this film not really expecting much, but I don’t
think it clouded my judgment for this review. Movies can be mediocre but still
enjoyable. Romances can certainly be schmaltzy but still be romantic; Winter’s Tale just came up short and
hovered over borderline ridiculous.
All in all, I’d say Winter’s
Tale has the potential to be a really fun date-night movie…but maybe not
for the right reasons.
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